For more information, search “Stereo Techniques” at www.shure.com (www.shure.com/stereo-tech). To reduce the pickup of unwanted low-frequency mechanical vibrations, use an isolating shock mount. In a pro setting it'll be more limited, but is still a solid mic. With Shure microphones that treat every perfect note with classical precision. The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Does anyone have experience with the KSM137 mics on acoustic guitar recordings or even in general? −15 dB For use with extremely loud sound sources such as drums, horns, or loud guitar cabinets. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. Its low self-noise and extended frequency response make it ideal for recording musical instruments. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. DuPont de Nemours and Company in the United States. Over 90 years of audio experience has contributed to making this one of the finest microphones available. “Popper Stopper” is a trademark of Shure Incorporated in the United States. Maximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 mic can withstand extremely high sound pressure levels. This attribute was nice for mono acoustic guitar, and great for OH and HH, but not so good for stereo pair recording. In a pro setting it'll be more limited, but is still a solid mic. While other mics in this price bracket have smeared transients and annoying resonances, the KSM137 is crystal clear, fast and resonant free! A highly consistent cardioid polar pattern, Ultra-thin, 2.5 μm 24-karat gold-layered, low-mass Mylar, Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and inter-modulation distortion, Premium electronic components, including gold-plated internal and external connectors, Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration, Three-position attenuation switch (0 dB, 15 dB, and 25 dB) for handling extremely high SPLs, Three-position low-frequency filter switch reduces stand vibration noise and counteracts proximity effect, Superior common-mode rejection and suppression of radio frequency interference (RFI), Overhead miking of drums and percussion instruments, Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion, Low-frequency instruments such as double bass and kick drum. −25 dB For use with in close proximity (less than 10 cm) to extremely loud sound sources such as drums, horns, or loud guitar cabinets. These marks may be registered in other jurisdictions. Versatile, durable, and precise, the KSM137 is an outstanding microphone for both live and studio applications. We look forward to doing business with you. Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. Shure recommends a minimum input load impedance of 1000 Ω. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Share Quote. Most modern microphone preamplifiers meet this requirement. Also, I noticed the KSM137 & KSM141 are sold in matched pairs, but I can't find anyone selling the SM81 as a matched pair. The attenuation switch lets you reduce the signal level without altering the frequency response. In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand. I like that they are rugged, and to my ears a big improvement over the 81. Use the supplied microphone mount with floor or boom stands. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments. The sm81 is one of my all time favorites. Its low self-noise and extended frequency response … You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Frost 1. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Smooth low end and mids, with a just right presence that is NEVER harsh, glaring, distorted or brittle, yet airy and so pleasing. The following table displays the most common stereo techniques. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). All rights reserved. Stereo microphone techniques give depth and spatial placement to sound sources for broadcasting, recording, or sound reinforcement applications. Cymbals sound stellar, as do various acoustic string instruments. Its low self-noise and extended frequency response make it ideal for recording instruments. I plan on getting a matched pair of SDC mics for stero recording on mainly acoustics. The Shure A27M allows you to mount two microphones on a single stand with a wide range of angles and vertical separations for a variety of coincident and closely-spaced stereo configurations. Estimate the delivery time after dispatch. ABN 43 679 625 324, Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar, Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion, Premium electronic components, including gold-plated internal and external connectors, Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration, Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs), 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs), 3-position switchable low-frequency filter reduces background noise and counteracts proximity effect, Exceptional reproduction of low-frequency sounds, Can withstand high sound pressure levels (SPL), Superior common mode rejection and suppression of radio frequency interference, Acoustic instruments -- such as piano, guitar, drums, percussion, strings, Low frequency instruments -- such as double bass, electric bass, kick drum, Room ambiance pick-up -- guitar amplifier or drums.
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